Demystifying the world of sports photography

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Podcast: Episode 27 – Wide Angle

Podcast: Episode 27 – “Wide Angle”

Listen and download links here:

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News

Ryu didn’t have a best shoot, but struggled with basketball. Matt spent the month on the road, shooting rodeos, no bad news there.

Master Class
Ryu and Matt talk about shooting sports with wide angle lenses, most notably the Nikon 24mm f/1.4 vs the Nikon 14-24mm f2.8.

Training Ground
Training Ground is now on video. If you’d like to participate (and we think you should), enter your pictures in the Flickr thread and make sure to tag them BLFSTG201305.

You Win
Our April 2013 themed competition was “Parts + Detail.”

The winner was Bashar Alshabi with this wonderful track & field picture:

All-American Invitational at Adrian College

Second place was a mixed martial arts picture by Kris10Pix, and third place was this baseball picture by Ben C.K..

The May 2013 themed competition is “Wide Angle”. Goto our BLFS flickr group page for competition rules and to enter.

Cross-Counter

Our new segment where we say good things about sports photographs is called Cross-Counter. This episode we picked a couple of pictures from the (mostly awful) Sports Illustrated 100 Greatest Sports Photos of All Time list. Ryu’s pick / Matt’s pick

Special thanks to…
Our new producer Robb Massar
Icon by Arvin Bautista

*Please Read Below*

Big Lens Fast Shutter is funded solely from the pockets of Ryu Voelkel and Matt Cohen. If you think the information we give you about sports photography is making you a better sports photographer and as a result a well balanced human being, please show us your appreciation by clicking on the “Donate” button and send some of your hard earned dollars/euros/Brixton pounds our way. People who donate will be mentioned on our next show unless you want to remain anonymous. Thank you for supporting us and may the force of sports photography be with you, always.
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Matt: Back on the Rodeo Road

After seven months of not shooting rodeos, April rolled around (sans showers this year) and I found myself back doing what I’m meant to do. I took a lot of my own advice over the winter, and it more than paid off. First, I made two complete passes through my rodeo archive (+25,000 pictures) once for a book project, and once to update ratings and keywords to make it easier to find pictures in response to client requests and market to new clients. It was fascinating to see how my pictures got better as I was able to shoot more rodeos, but it was also instructive to see what didn’t work – either at certain rodeo arenas, or at all. For example, some arenas are very narrow, and shooting opposite the bucking chutes with a 400mm didn’t produce the results I wanted because by the time the broncs were bucking at full kick, I wasn’t able to avoid cutting off limbs. Some arenas are very big and some shooting positions are too far away for even 400mm. Some angles would otherwise be good, but it’s tough watching picture after picture be ruined by sponsor signs in the background.

Maybe most importantly, I looked at what the particular attributes of each arena/rodeo are and took advantage of them. At Clovis that means the beautiful light at 8am slack (timed-event qualifying) and shooting from the roof of the announcer’s stand for barrel racing and bull riding.

PRCA Rodeo 2013 - Clovis Rodeo

PRCA Rodeo 2013 - Clovis Rodeo

PBR 2013 - Clovis Touring Pro

At Red Bluff, it means the Wild Ride.

PRCA 2013 - Red Bluff Round-Up

PRCA 2013 - Red Bluff Round-Up

PRCA 2013 - Red Bluff Round-Up

At Oakdale it means shooting across the bucking chutes from the side.

PRCA Rodeo 2013 - Oakdale Rodeo

PRCA Rodeo 2013 - Oakdale Rodeo

PRCA Rodeo 2013 - Oakdale Rodeo

These pictures provide the variety that is hard to come by at other arenas, and since each rodeo only happens once per year, it’s imperative to capitalize at each one..

By looking at all of my rodeo pictures at once I was able to recognize all of these things and come up with new plans for each of the places I shoot.

As I mentioned in my post about my 2013 plans, I found myself saying no to inquiries for pictures of certain cowboys, most notably team ropers. I aggressively addressed this by shooting several sessions of team roping at the first three pro rodeos on my schedule, easily surpassing the quantity and quality of all the roping pictures I had in the prior 5 years of shooting rodeo. This effort easily paid off in both media and commercial sales, starting with this picture of Kory Koontz on the cover of Spin to Win Rodeo:

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More roping:

PRCA 2013 - Red Bluff Round-Up

PRCA Rodeo 2013 - Clovis Rodeo

PRCA Rodeo 2013 - Oakdale Rodeo

PRCA 2013 - Red Bluff Round-Up

I also noticed that some of my favorite behind-the-scenes pictures were made with a borrowed 24mm f/1.4, so I rented one for a couple of weeks. I generally try to steer people away from fixating on gear, but there are just things you can’t do with any other lens. Clearly I’m going to have to just suck it up and buy one.

PRCA 2013 - Red Bluff Round-Up

PRCA 2013 - Red Bluff Round-Up

PRCA 2013 - Red Bluff Round-Up

PRCA 2013 - Red Bluff Round-Up

PBR 2013 - Clovis Touring Pro

And then there’s just the “regular” behind-the-scenes pictures…

PRCA Rodeo 2013 - Clovis Rodeo

PRCA Rodeo 2013 - Clovis Rodeo

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PRCA Rodeo 2013 - Clovis Rodeo

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I broke out the fisheye/monopod sparingly, just one set of 12 broncs, but thankfully that was enough for now.

PRCA 2013 - Red Bluff Round-Up

Other than that, I focused on the basics, light, technique, and timing.PBR 2013 - Clovis Touring Pro

PRCA 2013 - Red Bluff Round-Up

MC1_8401

PRCA Rodeo 2013 - Clovis Rodeo

PRCA Rodeo 2013 - Clovis Rodeo

PRCA Rodeo 2013 - Oakdale Rodeo

PRCA 2013 - Red Bluff Round-Up

With a weekend off before I hit the road for another run of rodeos, I’m trying to accelerate the process, critiquing and planning before I shoot again. I’ll leave you with a couple of clips from the latest issue of American Cowboy magazine where I have both the cover and table of contents page:

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TOC 16-03-14

*Please Read Below*

Big Lens Fast Shutter is funded solely from the pockets of Ryu Voelkel and Matt Cohen. If you think the information we give you about sports photography is making you a better sports photographer and as a result a well balanced human being, please show us your appreciation by clicking on the “Donate” button and send some of your hard earned dollars/euros/Brixton pounds our way. People who donate will be mentioned on our next show unless you want to remain anonymous. Thank you for supporting us and may the force of sports photography be with you, always.
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April 2013 Episode 27 Training Ground Video

Here is the April 2013 Training Ground video

Training Ground will now be available on YouTube and will not be a part of the audio podcast. We hope you enjoy the new format, let us know either way.

If you want to participate in Training Ground, please go here: Big Lens Fast Shutter Flickr Group

*Please Read Below*

Big Lens Fast Shutter is funded solely from the pockets of Ryu Voelkel and Matt Cohen. If you think the information we give you about sports photography is making you a better sports photographer and as a result a well balanced human being, please show us your appreciation by clicking on the “Donate” button and send some of your hard earned dollars/euros/Brixton pounds our way. People who donate will be mentioned on our next show unless you want to remain anonymous. Thank you for supporting us and may the force of sports photography be with you, always.
Donate Button with Credit Cards

Ryu: Sucking in the details

Hello. It’s me again.
It’s been a slow month so far as I didn’t get the red carpet treatment for the 1st leg of the semi-final of the Champions League. I’m crossing my fingers to get into the return leg, but then the scores being what they are after the 1st leg, I don’t know if it’s even worth it. But then it beats staying at home and not doing anything. Yes, that includes shooting basketball here in Berlin.

Since our beloved Jewish rodeo captain gave you the “details” assignment for “You Win”, I thought I take up the challenge myself. Since the Alba(tross) Berlin was doing their thing at O2 World, I thought this would be a perfect platform for the assignment + getting better at shooting indoor sports. Because as you all know, I suck at shooting indoor sports.

Capturing details in sports is not very easy. If you’re one of the many who are happy with freezing action and having those pictures proudly presented on the refrigerator door, you’ve got to get yourself ready for some brain washing. Details in sports photography, according to my interpretation is a matter of macro and micro. Macro sports photography is the big stuff. The action, the joy and the sadness, and an image that encompasses everything without being specific. On the other hand, micro sports photography is a drop of sweat, an odd face in the crowd, and an element that stands out from the rest of the image in the frame. Therefore I didn’t really see this assignment as getting as close as possible to the subject or zooming into the subject. My decision was to find something odd or peculiar within the frame and make sure it is obvious enough so anyone can see it.

The shoes. I thought it would be interesting to shoot just shoes and get a shallow enough depth of field to concentrate on just one shoe. I don’t think I did particularly well here, but I just want you to know that was my intention. This was during the warmup before the game and warmup is a regular occurrence, I will try to shoot this composition again. To me, this would not have qualified as a “details” picture if the aperture was at f8 or above as more than a shoe will be in focus. Shoe is better than shoes.

Shoes

The face. I wanted to see some sweat, but there was none to be found. Which means they probably weren’t seriously warming up. Those lazy professionals. But when they were stretching, I noticed that some of them were making a face. So I tried to get as close as possible to get their expression. What’s important here is not to get too close. Because the closer you get, the only thing you’ll have left will be his face. This is problematic as there is no context within the frame. It is useless unless you are using this photo as part of a series. But if you too shoot too wide, the face will not be evident and will get lost in the chaos of a warm up session. Not easy, aye?

Face

The arms (and hands). We get too caught up in shooting the dude (dudette) with the ball or the person who is the conventional protagonist in your frame. But what if you take a step back and look at it from another perspective? Although this picture like the shoes is less than perfect, I wanted to show that there are things that are happening outside of a conventional shot. Here, I wanted to capture the shoving, pushing, and getting into position whilst getting the ball handler in the background I did fail, but you know what I mean. I’d like to further explore this in my next game alongside my failed foot fetish shots.

Hands

Details. Essential if you want to take the next step in sports photography. There is a reason why Getty people get paid more than you do and we’re not talking about their equipment. Those fools know what to look for and they are always looking for details in their shots (or not, depending on which Getty photographer we are talking about). For some of you detail spotting will come easy, but for some this will be an uphill battle. But so be it. It wont’ be fun if we give you easy stuff, would it? You still got about 2 weeks of this, so rack your brains and give us some of them details.

Ryu

*Please Read Below*

Big Lens Fast Shutter is funded solely from the pockets of Ryu Voelkel and Matt Cohen. If you think the information we give you about sports photography is making you a better sports photographer and as a result a well balanced human being, please show us your appreciation by clicking on the “Donate” button and send some of your hard earned dollars/euros/Brixton pounds our way. People who donate will be mentioned on our next show unless you want to remain anonymous. Thank you for supporting us and may the force of sports photography be with you, always.
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April 2013 You Win – Parts + Detail

PRCA Rodeo 2011 - Apr 23 - Clovis Rodeo

Generally we choose themes for You Win based on the time of year or a certain sport, and the theme doesn’t need to be explained much beyond a few words. But we’ve noticed a lot of pictures in the Flickr group recently where there is some small detail that is completely overshadowed by the rest of the frame. And the point we are trying to make with April’s You Win is this: if you’re leaning on a small detail to make an ordinary picture something more, you need to be in close enough to give that detail a chance to make an impact.

As we have discussed, if you’re 150 yards away, a race car going over a curb causing one tire to catch six inches of air has almost no impact at all. The viewer’s eye has to hunt around the frame to find the one thing that makes it different, but it’s not all that different, and it’s so small that the payoff is muted at best.

So the theme for this month’s competition is a mashup of one we’ve done in the past (Parts) and one we’re talking about now (Detail). So the goal is to get in close and capture a bloody nose, a ripped jersey, or the impact of a soccer ball on a player’s forehead. But make it scream and demand your viewers’ attention.

***Entries don’t have to be rodeo pictures, that’s just all I have on my laptop at the moment.***

PRCA Rodeo 2011 - June 12 - Livermore RodeoPRCA Rodeo 2011 - Apr 15 - Red Bluff Round-Up

*Please Read Below*

Big Lens Fast Shutter is funded solely from the pockets of Ryu Voelkel and Matt Cohen. If you think the information we give you about sports photography is making you a better sports photographer and as a result a well balanced human being, please show us your appreciation by clicking on the “Donate” button and send some of your hard earned dollars/euros/Brixton pounds our way. People who donate will be mentioned on our next show unless you want to remain anonymous. Thank you for supporting us and may the force of sports photography be with you, always.
Donate Button with Credit Cards

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